That is, until robots themselves gain sentience and begin recording albums themselves, with such pitch perfection that humans will never again grace the Billboard charts, as the era of our robot overlords is ushered in over the airwaves.
Ahem. Can't say enough for the dramatic.
While it's a purely qualitative aspect of music - which is in itself judged solely on personal opinion, of course - I think there is a significant difference found when you run any instrument through a computer versus an analog recording machine. It's razor-sharp, yes. It's very easy to manipulate, yes. But there's a certain warmth, a humanness, a je ne play quoi about an analog recording. Plus we might get to hear what these guys' actual voices sound like.

Listen up to maybe the coziest song ever recorded. Preferably on vinyl, if you can.
Tony Bennett - The Way You Look Tonight
*Apologies for the French pun earlier. I don't know what came over me. That's the LAST time I eat French toast before writing.
I think that the integrity/quality of recording musicians is safe as long as people are still going to live shows. Sure you can fake a recording, but it's not so easy to fake a memorable live performance.
ReplyDeleteI don't think digital technology can be blamed for things like Auto-Tuning, but Auto-Tune is a product of digital technology.
ReplyDeleteBut anyways, your hypothetical situation of robots playing robots might seem creepy, but the next level of creepiness would be robots writing music. In George Orwell's 1984, the Ministry of Truth has robots that "write" books by stitching together story points into a predetermined formula. I'm sure the Ministry would do the same with music. Hopefully that is not what the future of music is.
L'image est superbe !
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